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» » Sarah Vaughan - After Hours At The London House
Sarah Vaughan - After Hours At The London House Album

Performer:

Sarah Vaughan

Title:

After Hours At The London House

Genre:

Jazz

MP3 album size:

2317 mb

Label:

Verve Records, Mercury

Rating:

4.6

Style:

Swing

Country:

UK & Europe

Date of release:

2005

Catalog:

0602498819043, SR-60020

Sarah Vaughan - After Hours At The London House Album

Tracklist

1I'll String Along With You
Written-By – Dubin, Warren
5:10
2You'd Be So Nice To Come Home To
Written-By – Porter
3:55
3All Of You
Written-By – Porter
4:05
4Thanks For The Memory
Trumpet – Wendell CulleyWritten-By – Robin, Rainger
6:45
5Detour Ahead
Written-By – Ellis, Frigo, Carter
5:13
6Like Someone In Love
MC [Introduction] – Carmen CavallaroWritten-By – Van Heusen-Burke
3:04
7Speak Low
Written-By – Weill, Nash
4:45
8Three Little Words
Horn [Open Horn Solo] – Thad JonesTrumpet [Obligato] – Wendell CulleyWritten-By – Kalmar, Ruby
3:40

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
MG 20383Sarah Vaughan After Hours At The London House ‎(LP, Album, Mono)MercuryMG 20383US1958
RJ-5012Sarah Vaughan After Hours At The London House ‎(LP, Album, Mono)MercuryRJ-5012JapanUnknown
MG 20383Sarah Vaughan After Hours At The London House ‎(LP, Album, Mono, RE)MercuryMG 20383USUnknown
SJS-1267Sarah Vaughan After Hours At The London House ‎(LP, Album, RE)Jazztone SJS-1267EuropeUnknown
SR 60020Sarah Vaughan After Hours At The London House ‎(LP, Album)MercurySR 60020US1958
CategoryArtistTitle (Format)LabelCategoryCountryYear
ZEP 10030, ZEP10030Sarah Vaughan After Hours At The London House ‎(7", EP)Mercury, MercuryZEP 10030, ZEP10030UK1958

Credits

  • Art DirectionHollis King
  • BassRichard Davis
  • DesignEmmett McBain
  • DrumsRoy Haynes
  • Executive-ProducerKen Druker
  • Liner Notes [Sleeve Notes, Director, Emarcy Jazz]Jack Tracy
  • Mastered ByBob Irwin, Jayme Pieruzzi
  • Photography By [Cover Photograph]Don Bronstein
  • PianoRonnell Bright
  • Producer [Original Recordings]David Carroll, Jack Tracy
  • Producer [Production Assistance]Carolyn Freeman
  • Recorded ByMalcolm Chisholm
  • Recording SupervisorDavid Carroll, Jack Tracy
  • Reissue ProducerBryan Koniarz
  • Tenor SaxophoneFrank Wess
  • TromboneHenry Coker
  • TrumpetThad Jones (tracks: 4, 5, 7)
  • VocalsSarah Vaughan
  • Tenor SaxophoneFrank Wess
  • TromboneHenry Coker
  • TrumpetThad Jones, Wendell Culley

Notes

Digipak case replicating front and back cover of original LP Mercury SR 60020, with fold-out insert of original back cover artwork. Disc face replicates LP label.

Recorded at The London House, Chicago, USA at 2:30am, March 7th, 1958.

Recorded by Universal Recording Corp.
Microphones used included: Voice (Telefunken U-47); Piano (RCA 77DX); Bass (Fentone B&O Ribbon); Drums (SHURE 556 S); Solo Horns (Fentone B&O Ribbon).
The session was taped at 30 ips (inches per second) on a specially adapted Ampex 350-2 tape recorder.

Carmen Cavallaro's introduction courtesy Decca Records.

℗ 2005 The Verve Music Group.
© 2005 The Verve Music Group, a division of UMG Recordings, Inc.
Made in the E.U.

Barcodes

  • Barcode: 6 02498 81904 3
  • Matrix / Runout: Universal [Logo x4] 06024 988 190-4 01 51616558 B
  • Matrix / Runout: Made In Germany By EDC
  • Mastering SID Code: IFPI LV26
  • Mould SID Code: IFPI 0115
  • Label Code: LC 00383
  • Rights Society: BIEM/SABAM
  • Rights Society: BIEM

Companies

  • Distributed By – Music
  • Printed By – Amilcare Pizzi S.p.A.
  • Phonographic Copyright (p) – The Verve Music Group
  • Copyright (c) – The Verve Music Group
  • Record Company – UMG Recordings, Inc.
  • Made By – EDC, Germany – 51616558
  • Recorded At – London House, Chicago

Video

Album

Like Someone in Love Live at the London House, Chicago, 1958. Thanks for the Memory, 06:58. Kelly's although she was booked for three shows that night, the producers invited a small group of friends and well-wishers to another Chicago club, London House, for an after-hours session. Ella Fitzgerald called her the worlds greatest singing talent. Sarah Vaughan chronology. Kelly's although she was booked for three shows that night, the producers invited a small group of friends and well-wishers to another Chicago club, London House, for an after-hours session. After Hours at the London House 1959. You'd Be So Nice to Come Home To, 04:00. Three Little Words Bert Kalmar, Harry Ruby 3:40. Sarah Vaughan. After Hours at the London House is a 1959 live album by American jazz singer Sarah Vaughan, recorded at The London House, Chicago. Vaughan's London House date was recorded the same night after she did two shows at Mr Kelly's. Seven months after Mercury recorded Sarah Vaughan in a live setting for the surprisingly successful At Mr. Three Little Words Live at the London House, Chicago, 1958. Sarah Vaughan - Like Someone In Love. Sarah Lois Vaughan nicknamed Sassy and The Divine One March 27, 1924, Newark, New Jersey April 3, 1990, Los Angeles, California was an American jazz singer, described as possessor of one of the most wondrous voices of the 20th century. All of You, 04:15. Vaughan recorded an album at Chicago's Mr Kelly's. I'll String Along with You, 05:15. You'd Be So Nice to Come Home To Cole Porter 4:00. This time, however, instead of setting up at Mr. This was Vaughan's first album with just guitar and double bass accompaniment, it was followed by 1963's Sarah 2 in a similar vein. Vaughan and Violins 1959. In 1957 Ms. After Hours is a 1961 studio album by American jazz singer Sarah Vaughan. No Count Sarah 1958. Detour Ahead Lou Carter, Herb Ellis, John Frigo 5:28. Speak Low Live at the London House, Chicago, 1958. After Hours at the London House is the follow-up to that album. The London House was a popular night club at the corner of Wacker and Michagn Ave in Chicago. You'd Be So Nice to Come Home To Cole Porter 4:00. I'll String Along with You Al Dubin, Harry Warren 5:15. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. She clearly is tired that is very clear at the end of the CD but there is a very cool la. More By Sarah Vaughan. Album 1958 8 Songs. Remastered Vaughan After Hours at the London House 1958 скачать mp3 в хорошем качестве, либо слушайте песню Sarah Vaughan - You d Be So Nice To Come Home To, Sarah Vaughan - Detour Ahead, Sarah jigsaw puzzles for free Home. All of You Live at the London House, Chicago, 1958. Like Someone in Love Johnny Burke, Jimmy Van Heusen 3:37. After Hours At The London House, 1958. Kelly's, the label planned another date with the microphones for the night of March 7, 1958. Speak Low, 04:51. Detour Ahead, 05:28. It has been regarded as one of Vaughan's best live performances. The program mostly sticks to ballads, with a couple of is a quiet and intimate affair, with Vaughan more subtle than she sometimes. When introduced in her two-part interview of 1980 on The Dick Cavett Show, Cavett quipped in a takeoff on a well known Sarah Lee read more. A Verve Label Group Release 1958 UMG Recordings, Inc. Detour Ahead Live at the London House, Chicago, 1958. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. I'll String Along with You Live at the London House, Chicago, 1958. You'd Be So Nice to Come Home To Live at the London House, Chicago, 1958. This was Vaughan's first album with just guitar and double bass accompaniment, it was followed by 1963's Sarah 2 in a similar vein. I'll String Along with You, 05:15. After Hours at the London House. Released: Mar 7, 1958. Sarah Vaughan - Detour Ahead. I'll String Along with You Al Dubin, Harry Warren 5:15. Now a Burger King alas, Oscar Peterson recorded a live album there also. Sarah Vaughan - Three Little Words. Songs in album Sarah Vaughan - After Hours At The London House 1959. After Hours at the London House - Sarah Vaughan. 8 Songs, 38 Minutes. 1959 live album by Sarah Vaughan. Videocover of the Sarah Vaughan's Remastered Live Album: After Hours at the London House. Live album by. Thanks for the Memory Live at the London House, Chicago, 1958. Kelly's, the label planned another date with the microphones for the night of March 7, 1958. Jazz critic Leonard Feather called her the most important singer to emerge from the bop era

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